Once in the States, the rumour becomes even more pervasive and unknown to either Keene or Peters, her manager decides to fan the flames even more. They have a life sized mannequin of Linda Keene for publicity purposes and her manager dresses it in a filmy nightgown and sneaks it into Petrov's room one night while he's asleep. He sits it on the side of the bed where Petrov is sleeping soundly and takes some pictures, sneaks it back out, and then sends the photos to the papers, where they appear the next day. Having no clue how these pictures came into existence and unable to deny their marriage without causing a scandal, Peter and Linda decide to really get married, and then they can get a divorce and quell all the rumours... the logic behind this is a bit suspect, but it's a lot of fun.
The music for the film is by George and Ira Gershwin and it contains some great songs: "Slap That Bass", "They All Laughed", and "Let's Call The Whole Thing Off", to name a few. And, of course, the song in the clip below "You Can't Take That Away From Me" which is sung after the two are married and contemplating getting divorced, which neither particularly wants.